Home | London Main | References | Contact 
Previous photo Next photo Thumbnail page
British Museum Top 20 Buddhism 03 Seated Buddha British Museum Top 20 Buddhism 04-1 Dunhuang Two standing Avalokiteshvara British Museum Top 20 Buddhism 04-2 Dunhuang Avalokiteshvara as Guide of Souls British Museum Top 20 Buddhism 05 Schist Head of the Fasting Buddha British Museum Top 20 Buddhism 06 Standing Buddha From Sarnath
First page Previous page Index page Next page Last page
British Museum Top 20 Buddhism 04-2 Dunhuang Avalokiteshvara as Guide of Souls  [5 of 26]


4-2. Avalokiteshvara as Guide of Souls - Cave 17 Dunhuang China, 10C AD. The figure of the Buddha Amitabha in the headdress clearly identifies this figure as Avalokiteshvara, the bodhisattva of compassion. He is leading the soul of a female devotee to the halls of paradise, depicted at the top of the painting by three bands each with tiny buildings. Both Avalokiteshvara and his follower are supported on clouds. He holds a censer in his left hand, while in his right hand he holds a long hooked staff from which a banner is suspended. The streamers are adorned with small diamonds of gold and the main panel of the banner simulates writing in red. The aristocratic lady who follows behind is drawn on a smaller scale. She wears a splendid coat with decorative roundels, a common feature of textiles from the late Tang dynasty. This can be seen on the patches of kasaya, Buddhist monastic robes. Photo: http://www.britishmuseum.org.
British Museum Top 20 Buddhism 04-2 Dunhuang Avalokiteshvara as Guide of Souls 4-2. Avalokiteshvara as Guide of Souls - Cave 17 Dunhuang China, 10C AD. The figure of the Buddha Amitabha in the headdress clearly identifies this figure as Avalokiteshvara, the bodhisattva of compassion. He is leading the soul of a female devotee to the halls of paradise, depicted at the top of the painting by three bands each with tiny buildings. Both Avalokiteshvara and his follower are supported on clouds. He holds a censer in his left hand, while in his right hand he holds a long hooked staff from which a banner is suspended. The streamers are adorned with small diamonds of gold and the main panel of the banner simulates writing in red. The aristocratic lady who follows behind is drawn on a smaller scale. She wears a splendid coat with decorative roundels, a common feature of textiles from the late Tang dynasty. This can be seen on the patches of kasaya, Buddhist monastic robes. Photo: http://www.britishmuseum.org.